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Chapter I

Enslaving Readings: The Satanic Verses and Textuality

1
Outline

Suddenly, though not immediately after its publication in September 1988, The Satanic Verses hit the headlines as it caused an international furore, or rather a mutual revulsion of rival groups of readers. Since that initial furore, this revulsion, perceived as offensive, has often been (and still is) interpreted as an essential difference between the secular West and the Muslim Orient. For example, Syed Shahabuddin, who initiated a ban on The Satanic Verses in India, amply underlines this when he writes in an open letter to Rushdie in The Times of India, in October 1988: "Call us primitive, call us fundamentalists, call us superstitious barbarians, call us what you like, but your book only serves to define what has gone wrong with the Western civilization." There is a complementary text, written as an afterword to an incident where a copy of the book had been burnt in Bradford, UK, which takes the opposite approach: Rushdie writes in The Observer in January 1989 that "the zealot protests serve to confirm, in the Western mind, all the worst stereotypes of the Muslim world."


One could hardly find clearer examples of antagonistic positioning than these texts. These two texts are not only exemplary, but the two incidents which they take up, the ban and the book burning, or rather the way they are explicated, are the two initial events around which this discourse of mutual revulsion or offence has been accumulating. On February 14, 1989, the matters are further confused, for then Ayatollah Khomeini issues his fatwa, a religious opinion, in this case a death sentence. This edict releases a new fervour of arguments, as it expands the issue to a wider international political arena. Together these three moments of history, the ban, the book burning, and the fatwa, serve as structuring elements of my study, displaying points of change.


It is here necessary to acknowledge an uneasiness with the term with which this series of events has been labelled. There are various forms: `the Salman Rushdie affair,' `The Satanic Verses controversy,' `the Rushdie case.' I have chosen to talk about `The Satanic Verses affair' for various reasons. First of all, many of the connotations of the word `affair' are to be observed operating during the debate: business, performance, an object, concern, (an illicit) love relationship, dispute (Webster's). Secondly, it is used in other texts, too, although the one used the most would be `the Rushdie affair.' Thirdly, as it is rather The Satanic Verses than Salman Rushdie that is at issue, I expressly want to avoid the ad hominem-kind of presuppositions often voiced in the debating texts. It has been argued, too, that it is not the book either that is in question and this has lead to many conspirational theories in which larger organizational forces are seen at work. Although the arguments are not always specifically `about' the book, The Satanic Verses obviously is the starting point of the on-going debate. Therefore, by the use of the title of the novel in my title, I want to emphasize its centrality in the debate as well as the peculiarities of this affair.


What does the first part of the present title, `rhetoric,' stand for? No conclusive history of this concept will be attempted here. At least since the Greek and Roman antiquity, rhetoric has had great political significance as the art of persuasion. The present pejorative every-day term means perhaps most of all magniloquence, or rather meaningless pompous show of words, aestheticized language. There is, however, a wide current interest in rhetoric, or in `New Rhetoric' as it is designated by Chaim Perelman and Lucie Olbrechts-Tyteca (1958). One of the more interesting features of this `recovery of rhetoric' is the perception that the various `rhetorical devices' are vital components of the contents of an argument.


What I am aiming for is not only or primarily to detect the rhetorical devices or to define their argumentative content, but also to discover how the arguments are involved in negotiating contending views. And further, as I see it, `rhetoric' is not so much a question of persuasion as it is a dilemma in language, in which the participants engage, reforming and being formed at the same time by this `rhetoric'; I shall try to look at this in The Satanic Verses affair, which has proliferated into a clash: of men and women, values, faiths, words, and worlds.


Notes:
1. An earlier version of this chapter was delivered as a paper in the ESSE/2 conference, in Bordeaux, September 7, 1993.


2. Syed Shahabuddin, "You Did This with Satanic Forethought, Mr. Rushdie," The Times of India, 13 Oct. 1988, sec.2, p.2, repr. in The Rushdie File, eds. Lisa Appignanesi and Sara Maitland (London: 4th Estate, 1989), p.47.


3. Rushdie, "Choice between Light and Dark," The Observer, 22 Jan. 1989, p.11.


4. These are the terms most often used, while others I have come across are: battle, campaign, crisis, debate, episode, furore, issue, matter, protest, reaction, row, saga, story, subject.


5. Many of the early reviews gave vent to these, and especially Lawson's review "Fishing for Salman," is often referred, or alluded to, although not entirely deservedly.


6. Together with the political aspect one should also notice the persuasiveness of commercial language, especially that of advertising.


7. La Nouvelle rhetorique: Traite de l'argumentation (Paris, 1958), trans. J. Wilkinson & P. Weaver, The New Rhetoric: a Treatise on Argumentation (Notre Dame: University of Notre Dame Press, 1969).


8. Victoria Glendinning writes, that "the war between good and evil is echoed by the one between men and women," in "Channel- Hopping Culture," The Times, 1 Oct. 1988, p.37.




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